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Many studies of African-American gospel music spotlight history and style. This one, however, is focused mainly on grassroots makers and singers. Most of those included here are not stars. Yet their collective stories presented in this book indicate that black gospel music is one of the most prevalent forms of contemporary American song.
An indispensable series for anyone who wishes to keep abreast of recent work in the field. WELSH HISTORY REVIEW
In the footsteps of William Wallace
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