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In From Eden to Eternity, Alastair Minnis argues that Eden afforded an extraordinary amount of creative space to late medieval theologians, painters, and poets as they tried to understand the place that God had deemed worthy of the creature made in His image.
Alastair Minnis reveals Chaucer's Pardoner and Wife of Bath as interconnected aspects of a radical literary experiment, wherein the relationship between objective authority and subjective fallibility is confronted as never before.
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