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La Statira was first performed in Rome in January 1690. The opera, with libretto by Cardinal Ottoboni, recounts the story of Alexander the Great's defeat of Darius, King of Persia, and his love for Statira, daughter of Darius. In his Introduction, William Holmes sketches the opera's history and discusses performance questions.
A tale of love and honor in the opera seria tradition, Tigrane was first performed at Naples in 1715. This edition of it will please performance groups and music historians alike.
Gli Equivoci nel Sembiante (1679), Scarlatti's first opera, is a comedy of mistaken identities and amorous intrigue in the pastoral mode. It was one of the most popular works of the composer's career. In preparing the score, D'Accone compared the 6 extant manuscripts. His Introduction sketches the opera's history and discusses performance practice.
In this fifth volume of the series, Colin Slim provides a definitive edition of Massimo Puppieno, an opera from the middle years of Scarlatti's career. In his Introduction he discusses the opera and performance practices of the day.
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