Books by Alexander Chee

Shortlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the EssayNamed a Best Book of 2018 by TIME, Washington Post, Entertainment Weekly, Wired, Esquire, Buzzfeed, Paste, Bitch, Bustle, The Chicago Review of Books and iBooksAs a novelist, Alexander Chee has been described as 'masterful' by Roxane Gay, 'incendiary' by the New York Times, and 'brilliant' by the Washington Post. With How to Write an Autobiographical Novel, his first collection of nonfiction, he secures his place as one of the finest essayists of his generation. How to Write an Autobiographical Novel is the author's exploration of the entangling of life, literature and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these interconnected essays he constructs a self, growing from student to teacher, reader to writer, and reckoning with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover and a friend. He examines some of the most formative experiences of his life and America's history, including his father's death, the AIDS crisis, 9/11, the jobs that supported his writing - Tarot-reading, bookselling, cater-waiting for William F. Buckley - the writing of his first novel, Edinburgh, and the election of Donald Trump. By turns commanding, heartbreaking and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack.

'Every word makes me ache ... Written with exquisite empathy and grace' Roxane Gay'Singularly beautiful and psychologically harrowing ... One of the best American novels of this century' Boston Globe Twelve-year-old Fee is a shy Korean American boy and a newly named section leader of the first sopranos in his local boys' choir. At their summer camp, situated in an idyllic and secluded lakeside retreat, Fee grapples with his complicated feelings towards his best friend, Peter. But as Fee comes to learn how the director treats his section leaders, he is so ashamed he says nothing of the abuse, not even when Peter is in line to be next. When the director is arrested, Fee tries to forgive himself for his silence. Yet the actions of the director have vast consequences, and in their wake, Fee blames only himself. In the years that follow he slowly builds a new life, teaching near his hometown. There, he meets a young student who is the picture of Peter - and is forced to confront the past he believed was gone.

Recommended by The Observer . . . 'One doesn't so much read it, as one is bewitched by it. Epic, gorgeous, haunting' HANYA YANAGIHARA, author of A Little LifeWhen it begins, it begins as an opera should begin: in a palace, at a ball, in an encounter with a stranger, who you discover has your fate in his hands . . . She is Lilliet Berne. And she is the soprano. 1882. One warm autumn evening in Paris, Lilliet is finally offered an original role, though it comes at a price. The part is based on her deepest secret. Only four people could have betrayed her: one is dead, one loves her still, one wants only to own her. And one, she hopes, never thinks of her at all. In taking this role Lilliet is forced to confront her darkest lies but will the truth save Lilliet - or destroy her? 'Brilliantly extravagant' VOGUE'Terrific' NEW YORKER