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Shortlisted for the 2014 Samuel Johnson Prize'A remarkable achievement...should become a classic.' - Margaret Drabble'Light writes beautifully...Common People is part memoir, part thrilling social history of the England of the Industrial Revolution, but above all a work of quiet poetry and insight into human behaviour. It is full of wisdom.' - The Times Book of the WeekFamily history is a massive phenomenon of our times but what are we after when we go in search of our ancestors? Beginning with her grandparents, Alison Light moves between the present and the past, in an extraordinary series of journeys over two centuries, across Britain and beyond.Epic in scope and deep in feeling, Common People is a family history but also a new kind of public history, following the lives of the migrants who travelled the country looking for work. Original and eloquent, it is a timely rethinking of who the English were - but ultimately it reflects on history itself, and on our constant need to know who went before us and what we owe them.
Loathing, anger, shame and deep affection: Virginia Woolf s relationship with her servants was central to her life. Like thousands of her fellow Britons she relied on live-in domestics for the most intimate of daily tasks. Her cook and parlour maid relieved her of the burden of housework and without them she might never have become a writer. But unlike many of her contemporaries Virginia Woolf was frequently tormented by her dependence on servants. Uniquely, she explored her violent, often vicious, feelings in her diaries, novels and essays. What, the reader might well wonder, was it like for the servants to live with a mistress who so hated giving her orders, and who could be generous and hostile by turns?Through the prism of the writer s life and work, Alison Light explores the volatile, emotional territory which is the hidden history of domestic service. Compared to most employers in Britain between the wars, Leonard and Virginia Woolf were free and easy. Life in the Bloomsbury circle of writers and artists was often fun. Yet despite being liberal in outlook, these were also households where the differences in upbringing and education were acute: employers and servants were still us and them . The women who worked for the Woolfs, like other domestic servants, have usually been relegated to the margins of history, yet unearthing their lives reveals fascinating stories: of Sophie Farrell, the Victorian cook and family treasure , who ended her days in a London bed-sit; Lottie Hope, the parlour maid, a foundling, who d been left on a doorstep like a parcel; and Nellie Boxall, the Woolfs cook, who was finally dismissed after sixteen years of rows and reconciliations, only to find herself a more glamorous job. Mrs Woolf and the Servants is a riveting and highly original study of one of Britain s greatest literary modernists. Ultimately, though, it is also a moving and eloquent testimony to the ways in which individual creativity always needs the support of others.
Shows how ideas of national identity were bound up with notions of femininity and private life during the period between the wars. Light looks at a range of writers from Ivy Compton-Burnett and Daphne du Maurier to Agatha Christie.
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