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Eastmouth and Other Stories is her second collection, featuring stories published in the subsequent decade, including stories that have appeared in Best British Short Stories, Best British Horror and Best New Horror, as well as new, unpublished work.
Since childhood, Sandra Peters has been fascinated by the small, private island of Lieloh, home to the reclusive silent-film star Valerie Swanson. Having dreamed of going to art college, Sandra is now in her forties and working as a receptionist, but she still harbours artistic ambitions.
A notoriously scary ghost is supposed to haunt the ruined medieval castle where Sunny and his friends are spending the day. But when a troubling visitor arrives at the antique shop, it turns out the danger is closer to home than they thought . . .
On the hottest day of the year, Ana Sharma and her mum check in to the Hotel Splendid, a place where bells seem to ring all by themselves, jam pots and milk jugs appear on the breakfast table as if by magic, and things go bump in the night.
Following a family tragedy, Jessie Noon moved from the Fens to the Midlands and now lives in the Scottish Borders with a cat, a dog and - she is convinced - a ghost in the spare room. Her husband walked out almost a year ago, leaving a note written in steam on the bathroom mirror, and Jessie hasn't seen her son for years.
The Pre-War House and Other Stories is the debut collection from Alison Moore, whose first novel, The Lighthouse, was shortlisted for the Man Booker Prize 2012.
The new novel from the author of the Man Booker-shortlisted The Lighthouse is a tense and moreish confection of semiotics, suggestibility and creative writing with real psychological depth and, in Bonnie Falls and Sylvia Slythe, two unforgettable characters.
Lewis Sullivan, is approaching retirement when he wonders for the first time whether he ought to have chosen a more dramatic career. He lives in a village in the Midlands, less than a mile from the house in which he grew up. But when an unusual childhood friend appears on the scene, Lewis finds his life and comfortable routine shaken up.
On the outer deck of a North Sea ferry stands Futh, a middle-aged and newly separated man, on his way to Germany for a restorative walking holiday. As he contemplates an earlier trip to Germany and the things he has done in his life, he does not foresee the potentially devastating consequences of things not done.
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