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This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture.
Tells the story of the Egyptian military experience. This work looks at the lives of Egyptian soldiers fighting at home and abroad and shows the role those soldiers and their leaders played in Middle Eastern and world history for 500 years. It also explores Ottoman military rule; Napoleon's failed Egyptian campaign in 1798; and more.
Outlines the strengths and weaknesses of the transformations taking place in the Southeast Asian region. This book focusses on four key themes: equality and inequality; political freedom and opportunity; empowerment and participation; and environmental sustainability and, explores Southeast Asian development.
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