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How did dramatists engage with the unprecedented levels of socio-cultural and intellectual change in Renaissance England, a time when ideas of identity, sexuality, social order, religion and state power were in flux? The book provides a contextual introduction to the work of Shakespeare, Marlowe, Jonson, Dekker, Webster, Middleton and Ford.
Leading scholars show how laughter and satire in early modern Britain functioned in a variety of contexts both to affirm communal boundaries and to undermine them.
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