Books by Andrew (Senior Lecturer in Law Lang

The scene was a dusky shabby little room in Ryder Street. To such caves many repair whose days are passed, and whose food is consumed, in the clubs of the adjacent thoroughfare of cooperative palaces, Pall Mall. The furniture was battered and dingy; the sofa on which Logan sprawled had a certain historic interest: it was covered with cloth of horsehair, now seldom found by the amateur. A bookcase with glass doors held a crowd of books to which the amateur would at once have flown. They were in 'boards' of faded blue, and the paper labels bore alluring names: they were all First Editions of the most desirable kind. The bottles in the liqueur case were antique; a coat of arms, not undistinguished, was in relief on the silver stoppers. But the liquors in the flasks were humble and conventional. Merton, the tenant of the rooms, was in a Zingari cricketing coat; he occupied the arm-chair, while Logan, in evening dress, maintained a difficult equilibrium on the slippery sofa. Both men were of an age between twenty-five and twenty-nine, both were pleasant to the eye. Merton was, if anything, under the middle height: fair, slim, and active. As a freshman he had coxed his College Eight, later he rowed Bow in that vessel.

The aim of this book is to prove that the Homeric Epics, as wholes, and apart from passages gravely suspected in antiquity, present a perfectly harmonious picture of the entire life and civilisation of one single age. The faint variations in the design are not greater than such as mark every moment of culture, for in all there is some movement; in all, cases are modified by circumstances. If our contention be true, it will follow that the poems themselves, as wholes, are the product of a single age, not a mosaic of the work of several changeful centuries. This must be the case-if the life drawn is harmonious, the picture must be the work of a single epoch-for it is not in the nature of early uncritical times that later poets should adhere, or even try to adhere, to the minute details of law, custom, opinion, dress, weapons, houses, and so on, as presented in earlier lays or sagas on the same set of subjects. Even less are poets in uncritical times inclined to "archaise," either by attempting to draw fancy pictures of the manners of the past, or by making researches in graves, or among old votive offerings in temples, for the purpose of "preserving local colour." The idea of such archaising is peculiar to modern times.

It is often argued that there is an inherent tension between international human rights law and the rules of free trade. This book explores the assumptions underlying this debate and argues that we need to reconsider them, focusing more on how expert knowledge and informal relationships shape trade law and its interaction with human rights.