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What were the contexts, aims, achievements, and impact of the 'Classical Revolution' in Greek art? Andrew Stewart introduces students to these questions, examining Greek architecture, painting, and sculpture of the fifth and fourth centuries BC in relation to the great political, social, cultural, and intellectual issues of the period.
What was Hellenistic art, and what were its contexts, aims, achievements, and impact? This textbook introduces students to these questions and offers a series of answers to them. Its twelve chapters and two 'focus' sections examine Hellenistic sculpture, painting, luxury arts, and architecture. Thematically organized, spanning the three centuries from Alexander to Augustus, and ranging geographically from Italy to India and the Black Sea to Nubia, the book examines key monuments of Hellenistic art in relation to the great political, social, cultural, and intellectual issues of the time. It is illustrated with 170 photographs (mostly in color, and many never before published) and contextualized through excerpts from Hellenistic literature and inscriptions. Helpful ancillary features include maps, appendices with background on Hellenistic artists and translations of key documents, a full glossary, a timeline, brief biographies of key figures, suggestions for further reading, and bibliographical references.
This 2005 volume examines the 'little barbarians', ten figures found in Rome in 1514, now recognized as copies of the Small (or Lesser) Attalid Dedication on the Athenian Akropolis. Using discoveries by Manolis Korres, Andrew Stewart reconsiders the statues' form, date, and significance over a period of 2200 years.
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