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Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century.
Published in 1975, this autobiography of private Andy Warhol talks about love, sex, food, beauty, fame, work, money, success; about New York and America; and about himself - his childhood in McKeesport, Pennsylvania, good times and bad times in the Big Apple, the explosion of his career in the Sixties, and life among celebrities.
A cultural storm swept through the 1960s -- Pop Art, Bob Dylan, psychedelia, underground movies -- and at its centre sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy. His studio, the Factory, was the place: where he created the large canvases of soup cans and Pop icons that defined Pop Art, where one could listen to the Velvet Underground and rub elbows with Edie Sedgwick and where Warhol himself could observe the comings and goings of the avant-guarde.
Part novel, part Pop artwork, Andy Warhol's a is an electrifying slice of life at his Factory studio'A work of genius' NewsweekIn the early 1960s, Andy Warhol set out to turn the novel into pop art. a, the first book he wrote, is the result. Transcribed from audiotapes recorded in and around his legendary art studio, it begins with the actor Ondine popping pills, then follows a cast of thinly-disguised superstars, musicians and prima donnas as they run riot through Manhattan. A knowing response to James Joyce's Ulysses, using the freewheeling, spontaneous techniques as Warhol's visual art, this filthy, funny book is a uniquely creative insight into Factory life. 'Hellish hymns from Amphetamine Heaven, the vox populi of the Velvet Underground ... These people are witty and they are grand, they do terrible things and make awful remarks' New York Review of Books
Noa the Boa is a slave to fashion with the heart of an actor and an obsession with celebrity. He becomes luxurious leather accessories for illustrious clients - from Grace Kelly's pillow to the codpieces at the Folies Bergere.
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