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This reconstruction of the work of 'dialectical memory' in Hegel raises the fundamental question of the principle that presides on the articulation of history and indicates in Hegel's philosophy two alternative models of conceiving history: one that grounds history on 'ethical memory,' the other that sees justice as the moving principle of history.
Offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. Introducing the notion of "transcendental embodiment," this book proposes an understanding of Kant's views on science, nature, morality, and art.
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