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In Duress Ann Laura Stoler traces how imperial formations and colonialism's presence shape current inequities around the globe by examining Israel's colonial practices, the United State's imperial practices, the recent rise of the French right wing, and affect's importance to governance.
Along the Archival Grain offers a unique methodological and analytic opening to the affective registers of imperial governance and the political content of archival forms. In a series of nuanced mediations on the nature of colonial documents from the nineteenth-century Netherlands Indies, Ann Laura Stoler identifies the social epistemologies that guided perception and practice, revealing the problematic racial ontologies of that confused epistemic space. Navigating familiar and extraordinary paths through the lettered lives of those who ruled, she seizes on moments when common sense failed and prevailing categories no longer seemed to work. She asks not what colonial agents knew, but what happened when what they thought they knew they found they did not. Rejecting the notion that archival labor be approached as an extractive enterprise, Stoler sets her sights on archival production as a consequential act of governance, as a field of force with violent effect, and not least as a vivid space to do ethnography.
Investigates the matters of state in late 19th and early 20th century Indonesia, particularly the critical role played by sexual arrangements and affective attachments in creating colonial categories and distinguishing the ruler from the ruled. This work argues that social classification is not a benign cultural act but a potent political one.
Why is the colonial context absent from Michel Foucault's history of a European sexual discourse that for him defined the bourgeois self? This book challenges Foucault's tunnel vision of the West and his marginalization of empire.
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