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This study examines the place of politics in opera, uncovering the political dimension of an art form all too often considered as purely aesthetic. It takes readers on a tour of 200 years of great opera, from "The Marriage of Figaro" to "Nixon in China".
Looks at the history of both the theory and practice of democracy, and the fierce opposition it has often provoked. This book argues that democracy remains a relevant ideal and a challenge to much conventional political thinking, as well as to the centralizing tendencies of global power.
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