Books by Anthony Burgess

Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviewsEdited by Andrew Biswell With a Foreword by Martin Amis'It is a horrorshow story ...'Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean?A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'.Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993.Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

In this 1962 classic, a novelistic exploration of modern crime and punishment, Alex is the 15-year-old leader of his gang of "droogs" thriving in the ultraviolent future as prophetically imagined by Burgess.

In this nightmare vision of a not-too-distant future, fifteen-year-old Alex and his three friends rob, rape, torture and murder - for fun. Alex is jailed for his vicious crimes and the State undertakes to reform him - but how and at what cost?

The Collected Poems of the acclaimed Manchester-born poet, novelist, screenwriter and composer Anthony Burgess.

'What can literature and music do for each other?' In This man and music, novelist and composer Anthony Burgess explores the topic, touching on composition, poetry, prose, and his own personal experiences. -- .

Anthony Burgess's stage play of his infamous cult novel and film of the same name. This is the story of Alex and his teenage gang, "The Droogs", their life of rape and murder, and "ultraviolence", and the moral dilemma that arises when Alex is brainwashed into good citizenship.

Anthony Burgess's funny, moving, autobiographical novel that brings to life the world of silent cinemas and music-halls of 1920s Manchester and Blackpool. Fully annotated and with a new introduction, this is an authoritative text for a new generation of readers. -- .

Sometimes when I''m at work and waiting for customers I think about the two of us living like kings and not bothering about the future. Because there may not be any future to bother about, you know. Not for anybody, one of these days. And it''s a wicked world.Average couple Janet and Howard''s lives begin to unravel when Howard''s photographic memory helps win him a gameshow fortune. Janet doesn''t want their lives to change that much. She''s quite happy working at the supermarket, cooking for her husband three times a day and watching quiz shows in the evening. But once Howard unleashes his photographic brain on the world, the once modest used-car salesman can''t seem to stop. And what he sees as the logical conclusion to his success isn''t something Janet can agree to. Burgess''s 1961 darkly comic satire of drab English consumerism is adapted for the stage by Lucia Cox. This edition was published to coincide with the US premiere at the Brits Off-Broadway Festival, at 59E59 Theatre, New York, in May 2015.

The essential biography

Here is a midsummer night's dream of a novel, Anthony Burgess in a mood of comic whimsy. A baronet, Sir Benjamin Drayton, has received a consignment of stone statues of gods and goddesses, including Venus. A ring slipped on Venus's finger by a young man about to be married upsets a number of arrangements, including the wedding plans.

The playground of Mr. Burgess' humor is a city to which his hero, Denham, J. W., businessman, forty, British, returns on leave from the Far East to find the face of England hardened into a standardized grimace. He is appalled by his observations in all quarters of cheapness, shallowness, vice. He is appalled also by monotony. But monotony reigns only briefly. Soon Everett, the broken-down poet, and Winterbottom, the printer, have involved him in affairs which put a strain on his holiday spirit. And with the appearance of Mr. Raj, Ceylonese gentleman, persistent lecher and unflagging sociologist, speed quickens and control diminishes as Denham is carried helpless down the homestretch of his grueling comic course. Mr. Burgess' humor stems from the depth of life rather than from its surface. His people are so vividly alive, and the anger, laughter and melodrama of their experiences so affecting that their story takes on dimension rare in novels so thoroughly entertaining.

A sharp analysis: through dialogues, parodies and essays, the author sheds light on what he called 'an apocalyptic codex of our worst fears', creating a critique that is literature in its own right.

Whether he is pursuing revenge and inspiration in Morocco, expounding on his notorious sex film on a TV chat show, or writing a hit musical based on the life and work of Shakespeare, Enderby emerges triumphant.

A brilliant novel . . . a savage satire on the distortions of the single and collective minds. New York Times Anthony Burgess has written what looks like a nasty little shocker, but is really that rare thing in English letters: a philosophical novel. Time"

It is a clever, sexually explicit, fast-moving, full blooded yarn'Irish TimesA Dead Man in Deptford re-imagines the riotous life and suspicious death of Christopher Marlowe. Poet, lover and spy, Marlowe must negotiate the pressures placed upon him by theatre, Queen and country.

"Revolutionary Sonnets and Other Poems" explores themes of violence and love, pretensions and emotion, sex and war and is both sobering and funny.

Kicked out of college and harassed by his lawyer, Miles Faber abandons New York and embarks on a defiant pilgrimage across the Caribbean to find the shrine of Sib Legeru, an obscure poet and painter. But in the streets of Castita's capital, where a wild religious festival is in full swing, a series of bizarre encounters - including his own repulsive doppelg nger (the son of a circus bird-woman) - and disturbing family revelations await Miles, who soon finds himself a willing victim of dynastic destiny.A darkly surreal comedy of dazzling linguistic inventiveness, MF is an outrageous tale of blood, lust and the machinations of fate.

After returning from a trip to Brunei, Anthony Burgess, initially believing he has only a year to live, begins to write - novels, film scripts, television series, articles.

Don Carlo Campanati is a man of God, a shrewd manipulator who rises through the Vatican to become the architect of church revolution and a candidate for sainthood. In this epic masterpiece, Anthony Burgess plumbs the depths of the essence of power and the lengths men will go for it.

These are Anthony Burgess's candid confessions: he was seduced at the age of nine by an older woman; Little Wilson and Big God moves from Moss Side to Malaya recalling Burgess's time as an education officer in the tropics, his tempestuous first marriage, his struggles with Catholicism and the beginning of his prolific writing life.

'Like all good comic writers Mr Burgess lives his creations as much as he writes them. Through Crabbe's rise and fall and a series of wonderfully colourful characters, Burgess lays bare racial and social prejudices of post-war Malaya during the upheaval of Independence.