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This study historicizes Tillie Olsen's fiction in the context of the Depression-era proletarian literary movement in the United States and its philosophy of dialectical materialism. It argues that dialectical materialism informs both the form and content of her fiction.
Argues that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of African American letters than writers such as Countee Cullen, Alain Locke, and Marcus Garvey, who remained enmeshed in nationalist and racialist discourse.
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