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A distinguished group of authors reflects on problems currently enlivening the space shared by philosophy and literary theory in a series of chapters that range in scope from Plato to postmodernism.
The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Anthony J. Cascardi offers an historical account of the origins and transformations of the rational subject of self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth.
This is the first thorough study of Calderon in comparison with other important dramatists of the period. Cascardi studies Calderon's paradoxical engagement with illusion in its philosophical guise as scepticism. He shows on the one hand Calderon's moral will to reject illusion and on the other his theatrical need to embrace it.
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