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Ari Larissa Heinrich examines transnational Chinese aesthetic production-from the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art"- to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life.
An investigation of the creation and circulation of Western medical discourses linking ideas about disease to Chinese identity, beginning in the eighteenth century.
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