Books by Ariel Dorfman

Censored and condemned, this is a Marxist critique of how our favourite cartoons are vehicles for capitalist ideology.

Told almost exclusively through dialogue, Konfidenz opens with a woman entering a hotel room and receiving a call from a mysterious stranger who seems to know everything about her and the reasons why she has fled her homeland. Over the next nine hours he tells her many disturbing things about her lover (who may be in great danger), the political situation in which they are enmeshed, and his fantasies of her. A terse political allegory that challenges our assumptions about character, the foundations of our knowledge, and the making of history, Konfidenz draws the reader into a postmodern mystery where nothing--including the text itself--is what it seems. First published by Farrar, Straus and Giroux (1995), most recent paperback Vintage (1998).

Draws together Dorfman's critical essays on contemporary Latin American writing

The living risk losing everything, but what they hold on to - love, faith, hope, truth - might change the world. It is this subversive possibility that speaks through these poems. This title gives an account of ruptured safety.

A new edition of Ariel Dorfmans powerful cultural critique of popular works such as the Donald Duck comics, the Babar childrens books, and Readers Digest magazine.

A woman seeks revenge when the man she believes to have been her torturer happens to re-enter her life. Years have passed since political prisoner, Paulina, suffered at the hands of her captor: a man whose face she never saw, but whom she can still recall with terrifying clarity. Tonight, by chance, a stranger arrives at the secluded beach house she shares with her husband Gerardo, a human rights lawyer. A stranger Paulina is convinced was her tormentor and must now be held to account... Ariel Dorfman's play premiered at the Royal Court in 1991, and is now recognised as a modern classic. It ran for a year in the West End, was a hit on Broadway and was filmed by Roman Polanski starring Ben Kingsley and Sigourney Weaver. 'A play that audiences will carry out of the theatre and into life' New York Times

A smouldering political allegory about a political protest in a country ruled by a military junta. From the author of Death and the Maiden, written in collaboration with Tony Kushner, author of Angels in America.