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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Die Familie Selicke ist ein Drama von Arno Holz und Johannes Schlaf, das am 7. April 1890 an der Freien Bühne in Berlin uraufgeführt wurde. In konsequent naturalistischem Stil beschreibt das Stück ein Familiendesaster innerhalb eines kleinbürgerlich-proletarischen Milieus. Doppelte Autorenschaft: 1887 traf Arno Holz Johannes Schlaf. Beide waren junge Schriftsteller auf der Suche nach neuen Formen. In Niederschönhausen bei Berlin gründeten sie eine literarische Wohngemeinschaft unter ärmlichen Verhältnissen. Arno Holz (1863 - 1929) war ein deutscher Dichter und Dramatiker des Naturalismus und Impressionismus. Johannes Schlaf (1862 - 1941) war ein deutscher Dramatiker, Erzähler und Übersetzer und bedeutender Vertreter des deutschen Naturalismus. Als Übersetzer trug er entscheidend zur Verbreitung der Werke von Walt Whitman, Émile Verhaeren und Émile Zola im deutschsprachigen Raum bei. Er gilt damit als Begründer des Whitman-Kults in Deutschland. Seine literarischen Verdienste liegen vor allem in szenisch-dialogischen Neuerungen des "Konsequenten Naturalismus" und in der Ausbildung des literarischen Impressionismus. Ebenfalls wirkte er mit an der Entstehung des "Intimen Theaters".
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