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Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism, and out of the wake of modernist art has suggested that a radically pluralistic art world has emerged. His essays here discuss his vision of the art world and the implications it has for criticism.
A study of the philosophical problems associated with the concept of action. Professor Danto is concerned to isolate logically the notion of a 'basic action' and to examine the way in which context and intention, for example, can convert physiological movements into significant actions.
Danto argues that recent developments in art-in particular the production of works that cannot be told from ordinary things-make urgent the need for a new theory of art. He demonstrates the relationship between philosophy and art and the connections that hold between art, social institutions, and art history.
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