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In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises.
Quentin is a successful lawyer in New York, but inside his head he is struggling with his own sense of guilt and the shadows of his past relationships. One of these an ill-fated marriage to the charming and beautiful Maggie, who went from operating a switchboard to become a self-destructive star - a singer everyone wanted a piece of. After the Fall is often seen as the most explicitly autobiographical of Arthur Miller's plays, and Maggie as an unflinching portrait of Miller's ex-wife Marilyn Monroe, only two years after her suicide. But in its psychological acuity and depth, and its brilliant, dreamlike structure, it is a literary, and not just biographical, masterpiece.
Victor, a New York cop nearing retirement, moves among furniture in the disused attic of a house marked for demolition. Cabinets, desks, a damaged harp, an overstuffed armchair - the relics of a lost life of affluence he's finally come to sell. But when his brother Walter, who he hasn't spoken to in years, arrives, the talk stops being just about whether Victor's been offered a fair price for the furniture, and turns to the price that one and not the other of them paid when their father lost both his fortune and the will to go on ...
In Joe and Kate Keller's family garden, an apple tree - a memorial to their son Larry, lost in the Second World War - has been torn down by a storm. But his loss is not the only part of the family's past they can't put behind them. Not everybody's forgotten the court case that put Joe's partner in jail, or the cracked engine heads his factory produced which caused it and dropped twenty-one pilots out of the sky ...
Eddie Carbone is a longshoreman and a straightforward man, with a strong sense of decency and of honour. For Eddie, it's a privilege to take in his wife's cousins, straight off the boat from Italy. But, as his niece begins to fall for one of them, it's clear that it's not just, as Eddie claims, that he's too strange, too sissy, too careless for her, but that something bigger, deeper is wrong, and wrong inside Eddie, in a way he can't face. Something which threatens the happiness of their whole family.
A reticent personnel manager living with his mother, Mr Newman shares the prejudices of his times and of his neighbours - and neither a Hispanic woman abused outside his window nor the persecution of the Jewish store owner he buys his paper from are any of his business. Until Newman begins wearing glasses, and others begin to mistake him for a Jew.
With detailed analysis of the text, discussions on themes, historical backgrounds and author biographies, York Notes offers students the best insight into the world of English Literature.
This volume gathers together 50 essays by one of the most influential literary, cultural and intellectual voices of our time. Arranged chronologically, these writings take the reader on a whirlwind tour of modern history.
The extraordinary story of the women's orchestra in Auschwitz, originally filmed for television with Vanessa Redgrave, and adapted for the stage by Miller himself.
This screenplay is Miller's own adaption of his 20th century classic play about the Salem witch trials of 1692. The book includes twenty stills from the Twentieth Century Fox film starring Daniel Day Lewis and Winona Ryder,
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