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Using a cognitive approach to literature, this book uncovers representations of self-consciousness in selected modern British novels, exposing it as complicating character development. Miller provides new readings of works by Conrad, Joyce, and D.H. Lawrence to demonstrate the emergence of a self who feels split from the world.
In an innovative reading of fin-de-siecle cultural texts, Miller argues that British representations of America, Americans, and Anglo-American relations at the turn of the twentieth century provided an important forum for cultural distinction.
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