Join thousands of book lovers
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.You can, at any time, unsubscribe from our newsletters.
Description:Barbara Crooker's new book Gold focuses on one of the most profound life-altering experiences possible: losing one's mother. This collection is an elegy, not just to the speaker's mother, but to a lost Eden that cannot be reclaimed. Beginning with a series of lyrics set in autumn, the poems become more narrative, recounting the long illness of Crooker's mother, her death, and the profound journey along the shores of grief. Throughout, Crooker is aware of the complexity and strength of the mother/daughter relationship and the chasm that this loss opens. The book includes other themes: poems about aging and the body, the loss of friends, the difficulties and joys in a long-term marriage, and always, the subtle ways faith influences the way Crooker experiences life. Her work has great scope, spanning the globe from rural Pennsylvania to Ireland, and reaching not just within herself but also outside of herself, to ekphrastic poems on the paintings of Gorky, Manet, Matisse, and others. This is the book of a mature writer, one who demonstrates an awareness of our own impermanence, our brokenness, and one who knows that if our parents go before us, we will have to learn to live with loss. In this book, we see the redemptive power of poetry itself to heal and to console.
Description:Barbara Crooker''s new book Gold focuses on one of the most profound life-altering experiences possible: losing one''s mother. This collection is an elegy, not just to the speaker''s mother, but to a lost Eden that cannot be reclaimed. Beginning with a series of lyrics set in autumn, the poems become more narrative, recounting the long illness of Crooker''s mother, her death, and the profound journey along the shores of grief. Throughout, Crooker is aware of the complexity and strength of the mother/daughter relationship and the chasm that this loss opens. The book includes other themes: poems about aging and the body, the loss of friends, the difficulties and joys in a long-term marriage, and always, the subtle ways faith influences the way Crooker experiences life. Her work has great scope, spanning the globe from rural Pennsylvania to Ireland, and reaching not just within herself but also outside of herself, to ekphrastic poems on the paintings of Gorky, Manet, Matisse, and others. This is the book of a mature writer, one who demonstrates an awareness of our own impermanence, our brokenness, and one who knows that if our parents go before us, we will have to learn to live with loss. In this book, we see the redemptive power of poetry itself to heal and to console.
Barbara Crooker's sixth collection of poetry, Small Rain, is an exploration of the wheel of the year, the seasons that roll in a continuous circle and yet move inexorably forward. Here, gorgeous lyric poems praise poppies, mockingbirds, nectarines, mulch and compost, yet loss (stillbirth, cancer, emphysema), with its crow-black wings, is also always present. In poems that narrow in on the particular ("a cardinal twangs his notes of cheer; he has no truck with irony and post- / modernism"), poems that focus on aging and the body ("how many springs are left on my ticket?"), poems that open out into the larger world of politics, war, global climate change, Crooker's work embodies Wendell Berry's words, "Be joyful, though you have considered all the facts," reminding us that sometimes we need to stop in wonder, look at the natural world, which we are close to ruining forever, and let "our mouths say o and o and o."
Poetry. "Rarely has a book of poems been as aptly titled as Barbara Crooker's MORE. Propelled by her hunger for beauty and language, she flies in low over human experience, noticing every gesture, every flavor, every nuance of color and light. Whether she is pondering a spill of salt or stepping into a painting by Hopper, Crooker never for one second lets us forget what it is to be alive and how many ways we have been given to express our gratitude for this simple fact. 'How did all this loveliness / spring from the dark?' she asks in one poem. I don't know the answer, but by the timeI finished reading this book, I could only agree with its final sentence: 'I want all this to last'"--Sue Ellen Thompson
Sign up to our newsletter and receive discounts and inspiration for your next reading experience.
By signing up, you agree to our Privacy Policy.