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Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires.
In Knowing Fictions, Barbara Fuchs engages the picaresque as a set of literary strategies that interrogate the mechanisms of truth-telling itself and shows how picaresque texts effectively encouraged readers to adopt a critical stance toward the truth claims implicit in the forms of authoritative discourse proliferating in Imperial Spain.
Cervantes challenges the state's attempt to categorize its subjects by presenting characters who pass for another gender, nationality, or religion.
Reflecting on humanity's shared desire for certainty, this book explores the discrepancies between religious adherence and inner belief specific to the early modern period, a time marred by forced conversions and inquisition.
Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires.
Amid thorny issues of translation and appropriation, imperial rivalry, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how early modern English writers borrowed Spanish literary models, triumphantly reimagining the transnational appropriation as heroic looting.
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