Books by Barbara L. Horn

This study chronicles the life and career of Ellen Stewart and her experimental theater, Cafe La Mama. The volume includes a short biography, a chronology of the most significant events related to Stewart and La Mama, a record of the more than 1400 plays produced at La Mama, and an annotated bibliography.

Chronicles the life and career of one of the last of Broadway's independent producers, David Merrick, who produced 88 plays on Broadway during his professional lifetime. This volume includes a chronology of his career, a biographical sketch, and documentation of each of his plays.

Actress Colleen Dewhurst is best remembered for her characterizations in the plays of Eugene O'Neill, which highlighted a career on stage, screen and television that spanned 40 years. This study documents her diverse performance and directing careers, including details of her personal life.

Joseph Papp's productions are thoroughly documented, with credits, runs, synopses, and review commentrary, in this reference guide, which also includes a chronology of Papp's life and career, a biographical sketch, and annotated bibliography of works by and about this American theatre giant.

One of the most important American playwrights of the 20th century, Maxwell Anderson won a Pulitzer Prize for Both Your Houses (1933), and New York Drama Critics Circle awards for Winterset (1935) and High Tor (1936).

This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill.Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.

An analysis of the social context of the musical "Hair" and the hippies, describing the tenor of the Broadway theatre of the 1960s and the experimental trends Off-Broadway that culminated in "Hair"'s innovations on the Great White Way.