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Seventeen-year-old Alan can't stand rows. But, though the Second World War has ended, peace hangs by a fine thread at home: his troublesome sister Madge creeps off for night-time liaisons with a German POW; their ineffectual father - broken by the hardships of war and an unhappy marriage - can't put food on the table despite the family's middle-class manners. Meanwhile, his mother pursues her escapist fantasies in romantic novels and love affairs. Obedient, faithful Alan is trapped among them all, the focus of their jibes and resentment, as inexorably the family heads towards disaster. Beryl Bainbridge's classic early novel is a vintage story of English domestic life, laced with sadness, irony and wicked black humour.
'People came in and out, chairs were moved, dishes gathered up on trays, but it was happening at a great distance; she concentrated entirely on his pink face crowned with foppish curls.'Genteel, passive Ann works for the BBC in London and is engaged to a successful academic, fulfilling her snobbish mother's ambitions - more or less - while the Swinging Sixties happen elsewhere, to other people. Then she meets William: snub-nosed and generous, cunning and protean. She is first seduced, then transfixed, as William's past, present and future swirl around her kaleidoscopically, overwhelmingly, and Ann is herself irrevocably, and irreparably, changed.
A girl returns from boarding school to her sleepy Merseyside hometown and waits to be reunited with her childhood friend, Harriet, chief architect of all their past mischief. She roams listlessly along the shoreline and the woods still pitted with wartime trenches, and encounters 'the Tsar' - almost old, unhappily married, both dangerously fascinating and repulsive.Pretty, malevolent Harriet finally arrives - and over the course of the long holidays draws her friend into a scheme to beguile then humiliate the Tsar, with disastrous, shocking consequences. A gripping portrayal of adolescent transgression, Beryl Bainbridge's classic first novel remains as subversive today as when it was written.
An old snapshot shows a group of friends lounging in the sunshine, on a weekend in the country at the invitation of bearded, satyric Claude and his wife Julia. The girl in the centre is dreamy Lily, whose latest failed love affair forms the purpose of the weekend, as Lily's friends set out to help her ensnare an unwitting father for her unborn child. Next to her is Norman, a Marxist romantic hell-bent on seducing his milk-white hostess; behind them is old, persecuted Shebah; and, slightly apart, the young man on whom all hopes are pinned: quiet, pleasant Edward.Told through the fractured narratives of Claude, Lily, Shebah and Norman, in Beryl Bainbridge's first published novel a darkly comic weekend of friendship and failure unravels.
In the summer of 1968, Rose sets off for the United States from Kentish Town; in her suitcase a polka-dot dress and a one-way ticket. Together with the sinister man known only as Washington Harold, she goes in search of the charismatic and elusive Dr Wheeler - the man Rose credits with rescuing her from a terrible childhood, and against whom Harold nurses a silent grudge.As the odd couple journey across an America on the brink of paranoid disintegration, their journey mirrors that of Robert Kennedy's presidential campaign. As they draw ever closer to the elusive Dr Wheeler, one hot day in June at the Ambassador Hotel in LA, their search finally reaches its terrible climax.
Short-listed for the Booker Prize and named 'one of the greatest novels of all time' by The Observer, this riveting novel which was recently adapted on BBC Radio 4 shows Beryl Bainbridge at her darkly comic best. Freda and Brenda spend their days working in an Italian-run wine-bottling factory. A work outing offers promise for Freda and terror from Brenda; passions run high on that chilly day of freedom, and life after the outing never returns to normal.Inspired by author Beryl Bainbridge's own experiences working at a London wine-factory in the 1970s, The Bottle Factory Outing examines issues of friendship and consent, making the novel timelier than ever. Readers will be dazzled by this offbeat, haunting yet hilarious Guardian fiction prize-winning novel.'An outrageously funny and horrifying story' Graham Greene (Observer)
'The book I wish I'd written . . . Witty, chilling, every word in place' Hilary Mantel, GuardianWartime Liverpool is a place of ration books and jobs in munitions factories. Rita, living with her two aunts Nellie and Margo, is emotionally na ve and withdrawn. When she meets Ira, a GI, at a neighbour's party she falls in love as much with the idea of life as a GI bride as with the man himself. But Nellie and Margo are not so blind...
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.Joseph decides to take his mistress and son, together with a few friends, to stay in a cabin in deepest Wales for the weekend - with absolutely disastrous results. Beryl Bainbridge's gift for deadpan dialogue and spare narrative, and her darkly comic vision of the world, are all in evidence in this early novel.
A brilliantly realized evocation of the thoughts and voices of Captain Scott and the four men with him, who suffered extraordinary hardships before finally dying during their 1912 attempt to be the first to reach the South Pole.'A whole lost era of fantastic courage, determination, idealism, curiosity, boyish foolishness and class mores is brought brilliantly and touchingly back by Bainbridge's penetrating psychological acumen and her superb scene and action painting...A masterly achievement, not to be missed by anyone who cherishes a strong, meaningful story beautifully told' Publishers WeeklyThe Birthday Boys is one of Beryl Bainbridge's most acclaimed novels, telling the story of Scott's doomed expedition through the voices of five men on the voyage. As Scott, Petty Officer Taff Evans, ship's doctor Dr Edward Wilson, Lieutenant Henry Bowers and Captain Lawrence Oates step forward for their place in the narrative, the reader is gripped by the the characters themselves alongside the vividly evoked period.
Edward is throwing a dinner party with Binny , his mistress. Aware that she has long been denied those small intimacies that his wife takes for granted - choosing a birthday present for his sister, for example, or sorting his socks - he wants to give her a chance to feel more involved in his life, to socialise with some of his friends (the discreet ones). Things are a little awkward to begin with - a late start and him having to be away by half past ten - but everything seems to be going well. But then some uninvited, and reather forceful guests arrive, and it doesn't look like Edward is going to make it home on time.
Paranoid, wilful, lazy, the young Adolf Hitler turns up in Liverpool to stay with his brother Alois and sister-in-law Bridget. Hailed by Alois as a student and an artist, Adolf soon irritates his family beyond measure by his constant sponging and his tendency to get into serious trouble with the English. Surely this is a young man who will never amount to anything.
SHORTLISTED FOR THE BOOKER PRIZE 1998SHORTLISTED FOR THE GUARDIAN FICTION PRIZEWINNER OF THE JAMES TAIT MEMORIAL PRIZE FOR FICTIONWINNER OF THE WH SMITH BOOK OF THE YEAR AWARDWhen Master Georgie - George Hardy, surgeon and photographer - sets off from the cold squalor of Victorian Liverpool for the heat and glitter of the Bosphorus to offer his services in the Crimea, there straggles behind him a small caravan of devoted followers; Myrtle, his adoring adoptive sister; lapsed geologist Dr Potter; and photographer's assistant and sometime fire-eater Pompey Jones, all of them driven onwards through a rising tide of death and disease by a shared and mysterious guilt.Combining a breathtaking eye for beauty with a visceral understanding of mortality, Beryl Bainbridge exposes her enigmatic hero as tenderly and unsparingly as she reveals the filth and misery of war, and creates a novel of luminous depth and extraordinary intensity.
'This is one of Bainbridge's best books. The close observation and hilarity are underlain by a sense of tragedy as deep as any in fiction' The TimesSHORTLISTED FOR THE BOOKER PRIZE IN 1990It is 1950 and the Liverpool repertory theatre company is rehearsing its Christmas production of Peter Pan, a story of childhood innocence and loss. Stella has been taken on as assistant stage manager and quickly becomes obsessed with Meredith, the dissolute director. But it is only when the celebrated O'Hara arrives to take the lead, that a different drama unfolds. In it, he and Stella are bound together in a past that neither dares to interpret.
WINNER OF THE WHITBREAD PRIZE FOR FICTION 1996WINNER OF THE COMMONWEALTH WRITERS' PRIZE 1997'A narrative both sparkling and deep... the cost of raising [the Titanic] is prohibitive; Bainbridge does the next best thing' Hilary Mantel'Brilliant...do not miss this novel' Daily Telegraph'A moving, microcosmic portrait of an era's bitter end' The TimesFor the four fraught, mysterious days of her doomed maiden voyage in 1912, the Titanic sails towards New York, glittering with luxury, freighted with millionaires and hopefuls. In her labyrinthine passageways the last, secret hours of a small group of passengers are played out, their fate sealed in prose of startling, sublime beauty, as Beryl Bainbridge's haunting masterpiece moves inexorably to its known and terrible end.
Quiet and reliable, Douglas Ashburner has never been much of a womaniser. So when he begins an extra-marital affair with Nina, a bossy, temperamental artist with a penchant for risky sex, he finds adultery a terrible strain.He tells his wife that he needs a rest, so she happily packs him off for a fishing holiday in the Highlands. Only, unknown to her, Douglas is actually flying off to Moscow with Nina, as a guest of the Soviet Artists' Union. It is then that things begin to get very complicated indeed...
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