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In this first book-length study of contemporary Native American artist Edgar Heap of Birds, Bill Anthes analyzes Heap of Bird's art and politics in relation to Native American history, spirituality, and culture, the international art scene, and how his art critiques the subjugation of Native Americans.
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
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