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A critical introduction to William Blake's poetry, which concentrates on the most accessible of Blake's writings, but which also gives careful consideration to the longer prophetic works. Professor Gillham maintains that The Songs should be viewed as a dramatic unity and that their interpretation is not aided by a study of the later prophetic works as has so often been maintained.
In a fresh examination of Blake's Songs of Innocence and Experience, poems which often seem strangely contradictory, Dr Gillham suggests that Blake is not stating his own thoughts and feelings but presenting 'dramatic' statements; he projects himself into other points of view, thus exploring possible states of being and feeling in which spiritual energy expresses itself.
The robust, real-world approach makes this book appropriate for practitioner researchers and postgraduate students up to PhD level. Covers distance and face-to-face interviewing, from the un-structured and naturalistic to the highly structured, focused and time-efficient.
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