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This brief charts out principles for a cultural psychology of remembering. The idea at its core is a conceptualization of remembering as a constructive process--something that occurs at the intersection of a person and their social-cultural world. To do this, it moves away from the traditional metaphor of memory as storage and develops the alternative metaphor of construction as part of wider social and cultural developments in society. This new approach is developed from key ideas of Lev Vygotsky and Frederic Bartlett, in particular their concepts of mediation and reconstructive remembering. From this foundation, the authors demonstrate how remembering is conflictual, evolving, and transformative at both the individual and collective level. This approach is illustrated with concrete case studies, which highlight key theoretical concepts moving from micro-level processes to macro-level social phenomena. Among the topics covered are:The microgenesisof memories in conversationThe role of narrative mediation in the recall of historyRemembering through social positions in conflictsUrban memory during revolutionsHow memorials are used to channel grief and collective memoryRemembering as a Cultural Process traces our ongoing journey to answer the question of the different ways in which culture participates in and is constitutive of what it means for humans to remember. It will be of interest to undergraduate and graduate students as well as researchers in the fields of memory studies or cultural psychology.
Recent years have seen an increase in the debate as to the role of payment systems and participating in performance improvement. Using important new research material, the authors explain how payment systems can be designed and implemented to give the best possible chance of success and how a participative approach to change can have beneficial consequences for organizations, sometimes in most unexpected ways.
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