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Brian Gibbons presents the idea of multiplicity as a way of understanding the form and style of Shakespeare's plays, using an imaginative range of texts and new approaches. This 1993 book is scholarly, yet straightforward, on an issue of central importance.
This volume argues against the view that occult spiritualities are marginal to Western culture. It shows that the influence of the esoteric tradition is neglected and that much of what we take to be "modern" derives, at least in part, from this.
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