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Professor C. R. Dodwell wrote with authority on most aspects of Western European medieval art. From his doctoral work on The Canterbury School of Illumination, he continued to maintain a steady output of important publications until his death in 1994.
Aims to provide a comprehensive guide to all forms of pictorial art - from wall and panel paintings to stained glass windows, mosaics and embroidery - and sets them against the historical and theological influences of the age. This study covers the period from 800 to 1200.
Medieval Canterbury, the centre of the English Church, was also the centre of England's greatest and most sustained achievement in art: the illumination of MSS. between AD 1000 and 1200. Originally published in 1954, this book is one of the most authoritative works on the subject.
This 1999 book is concerned with the pictorial language of gesture revealed in Anglo-Saxon art, and its debt to classical Rome. Reginald Dodwell, an eminent art historian, notes a striking similarity of both form and meaning between Anglo-Saxon gestures and those in illustrated manuscripts of the plays of Terence.
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