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This latest project of ''authorised theft'' amongst poetic friends sees them raiding the 19th century for inspiration-across a variety of artforms. But C19 here is not just a past century; it is also the terrible present moment in which we live, and in which this remarkable collaborative work has been written.
When Charity finds letters, journals and sketches in the roof of her great-aunt's house, she uncovers a rich family history that she must piece together from fragments. Great-aunt Birdie's letters to her lover are a compelling and revealing account of life for many women in the 1930s. Her experiences as an artist in the first decades of the century, and her earlier relationship with a young man who goes to war, also provide powerful insights into a woman who, as Charity begins to suspect, wanted more than her era would allow.
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