Books by Catherine A. Bradley

This monograph reveals a musical and textual quotation of Adam¿s Aucun se sont loe incipit at the outset of Petrus¿s Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus¿their works and techniques¿within further anonymous compositions.

The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.