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Chronicles the legal and social transformations that led to the transfer of ownership of employee innovation from labor to management. This book addresses scholarly deficiencies in the histories of labor, intellectual property, and the business of technology.
Professional writers may earn a tidy living for their work, but they seldom own their writing. Catherine Fisk traces the history of labor relations that defined authorship in film, TV, and advertising in the mid-twentieth century, showing why strikingly different norms of attribution emerged in these overlapping industries.
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