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Charlotte Brunsdon traces television's representations of Paris, London, and Baltimore to show how they reflect the medium's history and evolution, thereby challenging the prevalent assumptions about television as quintessentially suburban and showing how television shapes our perception of urban spaces, both familiar and unknown.
This book brings together for the first time David Morley and Charlotte Brunsdon's classic texts Everyday Television: Nationwide and The Nationwide Audience originally published in 1978 and 1980.
Takes into account the changes in the television industry, the academic field of television studies and the culture and politics of feminist movements. This book explores how television represents feminism and considers how critics themselves have created feminism and post-feminism as historical categories and political identities.
In this volume, Charlotte Brunsdon analyzes a wide range of contemporary film and television programmes, from British soap operas and crime series such as "Crossroads" and "Widows" to Hollywood movies such as "Working Girl" and "Pretty Woman".
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