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The first modern English edition of Richard Wagner's essays on conducting, extensively annotated, with a critical essay on Wagner as conductor: his aesthetic, practices, vocabulary, and impact.
Places the Swiss composer Schoeck, master of a late-Romantic style both sensuous and stringent, in context and gives insight into his increasingly popular musical works.
In this groundbreaking book, the new understanding of the mind-body connection is revealed and you are guided on a journey toward the life you want but haven't yet achieved. Your level of confidence, health, wealth, happiness and success is a direct reflection of the beliefs hidden away in your subconscious mind. Now you can identify those beliefs that are self-sabotaging and replace them with self-affirming beliefs that allow you to express a new level of potential.You will learn the amazing research that explains just how powerful and Incredible You really are and unique and easy to use Mind-Body Techniques that will:¿ Remove subconscious self- limiting beliefs and blocks to success¿ Clear any emotional stress, fears and doubts and boost your energy for an immense leap in happiness and vitality¿ Repattern your subconscious mind for a new level of goal achievement¿ Reprogram your brain and body for optimal health¿ Access your Transpersonal Self to realise who you really are and your amazing potential If you are ready to create the life you want, then reading this book may be the most timely and important decision you make.Includes Brain-Mind-Body Optimisation MP3 Downloads
An investigation of the considerable influence of Wagner's stay in Zurich from 1849 to 1858 -- a period often discounted by scholars -- on his career.
Presents case studies of "e;inspiration"e; in five composers -- Wagner, Mahler, Furtwangler, R. Strauss, and Berg -- examining how the supposedly extrarational world of creative inspiration intersects with the highly rational world ofmoney and politics.Lies and Epiphanies offers case studies of "e;inspiration"e; in five composers -- Richard Wagner, Gustav Mahler, Wilhelm Furtwangler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "e;lightning bolt"e; of inspiration at the funeral of Hans von Bulow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why. Chris Walton teaches music history at the Basel University of Music in Switzerland.He is the author of Othmar Schoeck: Life and Works (University of Rochester Press, 2009) and Richard Wagner's Zurich: The Muse of Place (Camden House, 2007).
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