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Takes the study of international relations to the art museum. This book focuses on the British Museum, the National Gallery of London, the Museum of Iraq, the Museum of Modern Art in New York, the Getty museums, the Guggenheim museums, and 'museum' spaces instantly created by the attacks on the World Trade Center in 2001.
In this book, Christine Sylvester examines the history of feminists' efforts to include gender relations in the study of international relations. Tracing the author's own 'journey' through the subject, as well as the work of other leading feminist scholars, the book examines theories, methods, people and locations which have been neglected by conventional scholarship. It will be of interest to scholars and students of international relations, women's and gender studies, and postcolonial studies.
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