Books by Christopher Frayling

The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses in France and internationally helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. 'French New Wave: A Revolution in Design' celebrates explosive and groundbreaking poster art that accompanied French New Wave films like 'The 400 Blows' (1959), 'Jules and Jim' (1962) and 'The Umbrellas of Cherbourg' (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies of more than 100 artists, photographers and designers involved, the first time many of those responsible for promoting and portraying this movement have been properly recognized.

Cinema: The Whole Story takes a close look at the key time periods, genres and key works in world cinema. It places the burgeoning world of cinema in the context of social and cultural developments that have taken place since its beginnings. Organized chronologically, the book traces the evolution of cinematic development, from the earliest days of film projection to the multiscreen cinemas and super-technology of today. Illustrated, in-depth text charts every genre of cinema, from the first silent films to epic blockbusters, CGI graphics and groundbreaking effects of the 21st century. Cinema: The Whole Story is an indispensable book for all those who love watching and reading about films and who want to understand more about the world of cinema.

This book will trace the journey of Shelley''s Frankenstein from limited edition literature to the bloodstream of contemporary culture. It includes new research on the novel''s origins, with a reprint of the earliest-known version of the creation scene; visual material on adaptations for the stage, in magazines, on playbills, in prints and in book publications of the nineteenth century; series of visual essays on many of the film versions and their inspirations in the history of art; and Frankenstein in popular culture on posters, advertisements, packaging, in comics and graphic novels.

Explores the genealogy of the film scientist in films made in Western Europe, and especially in Hollywood after the 1930s, showing how in film the scientist has often been used to represent the prevailing phobias of the time. This work also examines the portrayal of real-life scientists in the movies.

Over 400 Spaghetti Westerns were produced during the 1960s and 1970s peak period. This book deals with several interesting examples, not to mention French, German, and Russian Westerns along the way.