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Adopting and transforming the Romantic fascination with mountains, modernism in the German-speaking lands claimed the Alps as a space both of resistance and of escape. This book investigates operatic representations of the high mountains in German modernism.
In a radical new interpretation of the works of Alfred Hitchcock, Christopher Morris argues that suspense-the fundamental component of Hitchcock's cinema-is best understood through deconstruction of the very meaning of the word, which relates to dependence or hanging.
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