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Christopher Nealon's reexamination of North America's poetry in English, from Ezra Pound and W. H. Auden to younger poets of the present day, argues persuasively that the central literary project of the past century was to explore the relationship between poetry and capitalism-its impact on individuals, communities, and cultures.
Suitable for those working on gay and lesbian studies, American literature and culture, and twentieth century history, this book analyses texts produced by American gay men and lesbians in the first half of the twentieth century.
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