Books by Christopher Reed

Challenging cliches of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity.

Pierre Loti's novel ""Madame Chrysantheme"" (1888) enjoyed great popularity during the author's lifetime. More broadly, Loti's novel helped define the terms in which Occidentals perceived Japan as delicate, feminine, and, 'preposterous' - in short, ripe for exploitation. Presented as the diary of Chrysantheme, this title retells Loti's story.

Written from the perspective of the factory worker and peasant at the ground level, this study of Russia during the Revolution 1917-21 aims to shed light on the realities of living through and participating in these tumultuous events.