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By carefully examining the narratives and artistic renderings of the environmental apocalypse in some of the most popular contemporary graphic novels, the author makes an argument against dystopian hope, arguing that the ways through which we experience depictions of apocalypse shape how we respond to real environmental crises.
A volume that moves away from the dominant, macro-level theorising on the subject of identity and its relationship to and with globalising trends, focusing instead on the individual's relationship with utopia so as to offer new interpretive approaches for engaging with and examining utopian individuality.
Examining the mimetic theory of Rene Girard, this book investigates the development of society as a result of an original crime (a murder) that shaped the way the earliest humans organized the social structures we live with today - an analysis that reveals the dangerous structure of the most basic social relationships.
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