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This lucidly written book looks at the interpretative audacity of five major "overreaders"-Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj Zizek and Stanley Cavell-and asks what is at stake and what is to be gained by their approaches to literature and film.
This is a brilliantly argued account of the past and present fortunes of theory. It also maps out a way forward for the humanities in which theory will play a crucial part.
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