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Expanding on a burgeoning area in contemporary film studies that explores visual and aural absences and interstices in film narrative, this book explores silences in the soundtrack - not ambient silence or so-called 'room tone' but complete sound drop-outs, as if the film projector had broken down, thereby jolting the audience out of their passive relationship to the screen, forcing them to become aware of their surroundings and the material apparatus of film as a mechanical device. Drawing on Deleuze and Guattari's concept of Chaoids, which are various organizations of chaos through the different disciplines of science, philosophy and art, this book uses silence to pursue a variety of vectors that open up the surface plane of art (in this case cinema) to discover different philosophical (and by extension, political) singularities and multiplicities. Colin Gardner is professor of Critical Theory and Integrative Studies at the University of California, Santa Barbara, where he teaches in the departments of Art, Film & Media Studies, the History of Art and Architecture and the Comparative Literature programme
This first full-length critical analysis of the Czech-born, British director, Karel Reisz uses recent interdisciplinary methodologies to explore the crisis of political commitment and historical displacement in the context of the 1960s and '70s counter-culture. -- .
The career of Wisconsin-born Joseph Losey spanned over fourdecades and several countries, from . collaborator with Bertholt Brecht,director of Hollywood B-pictures and victim of McCarthyism, to director ofseminal British films such as "Time Without Pity," "Eve,""The Servant," and "The Go-Between". -- .
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