Books by Constantin Stanislavski

An Actor Prepares is the most famous acting training book ever to have been written and the work of Stanislavski has inspired generations of actors and trainers. This translation was the first to introduce Stanislavski's 'system' to the English speaking world and has stood the test of time in acting classes to this day. Stanislavski here deals with the inward preparation an actor must undergo in order to explore a role to the full. He introduces the concepts of the 'magic if' units and objectives, of emotion memory, of the super-objective and many more now famous rehearsal aids. Now available in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, this is an essential read for actors, directors and anyone interested in the art of drama.

"Building a Character," the second volume in Stanislavski's acclaimed trilogy, continues the total immersion in technique and class scenarios begun in "An Actor Prepares."

This is the classic lexicon of Stanislavski's most important concepts, all in the master's own words. Upon its publication in 1963, An Actor's Handbook quickly established itself as an essential guide for actors and directors.

Creating A Role is the third book - alongside the international bestseller An Actor Prepares and Building A Character - in the series of influential translations that introduced Stanislavski's acting 'system' to the English-speaking world. Here Stanislavski describes the elaborate preparation that an actor must undergo before the actual performance itself. Now published in the Bloomsbury Revelations series to mark the 150th anniversary of Stanislavski's birth, the book includes the director's analysis of such works as Othello and Gogol's Inspector General.

Stanislavski's essays on opera, focusing on Russian classics, including Boris Gudonovn and The Queen of Spades, as well as La Boheme.

Stanislavski was the foremost influence on the "Method" school of acting, as developed by Lee Strasberg. Here in concise form is what Stanislavski himself said about acting, aimed at students, experienced theatre people and laymen interested in stage craft.