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This book explores the evolution of audience receptions of Peter Jackson's Hobbit trilogy (2012-14) as an exemplar of the contemporary blockbuster event film franchise.
This is the first detailed study of the rich vein of mockumentary television programmes, covering series such as The Larry Sanders Show, The Daily Show, and the British and American versions of The Office to discuss how producers have experimented with mockumentary as a distinctive approach to storytelling. -- .
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