Books by Dan Carroll

For $2.99 eBook go to- amazon.com/author/dancarroll SLUM: A ROMANTIC ADVENTURE (Book one of The Slum Trilogy) is not a typical boy-meets-girl love story. Their situation is impossible. Robert is a sophisticated executive in New York City. Julianna is a former stripper living in a slum on a Caribbean island. Besides, he already has a girlfriend and is not looking for someone else- especially not a married ex-stripper from a far-away Caribbean slum! But as fate would have it, a dying six-year-old girl is the force which throws them together into a passionate entanglement which transforms both of them. An intoxicating love story? A tale of hope for a dying child? An inspiring moral drama? It's all rolled into this fast moving page turner.

THE SLUM TRILOGY, BOOK THREE Eight people narrowly escape death on a revolutionary island by fleeing to America in a small plane. One person, though, is intentionally left behind because he had naively thought he wanted to be part of the revolution. But he was wrong. Sergeant Gabino realized too late that he should've been on the escape plane with the others, as his life as a soldier became in peril due to his crazy, neurotic general. As Robbie, Julianna, baby Vic, Alba, Mama, Natalia, Lucita, and Chris try to adjust to America (some successfully, others disastrously), a communication blockade sets in. They could no longer talk with Gabino, whom they last knew as desperately wanting to get away from his neurotic general, fearing for his life. A rescue of Gabino is impossible because the revolution raged. But when a dangerous, long-shot chance presents itself, Robbie fearfully returns to the island to see if he could locate the naïve soldier, Gabino, and bring him to America to join the people he loved.

Is a verbal portrait a valid concept? If so, these pages contain two vastly different portraits- one of a dying drunk, another of an 18-month-old child. The preface makes it clear these are not stories. The first portrait is drawn within an old farmhouse. The second portrait is drawn with an amusement park in the background. Like traditional portraits, these two verbal portraits may be analyzed from various angles. But, ultimately, the viewer is seeing the portrait painter himself. "Every man's work," said the novelist, Samuel Butler, "whether it be literature or music or pictures or architecture or anything else is always a portrait of himself."