Books by Dani Cavallaro

While offering a comprehensive review of existing Klimt criticism, this book aims to shed new light on the artist's output by arguing that his works challenge a number of established boundaries, thereby performing a continual crossing of thresholds. This study explores Klimt's threshold universe by means of detailed analyses of a wide range of his works from all phases of his prolific career.

This text explores the work of a wide range of writers, setting their work in the context of science fiction, other literary genres, genre cinema and contemporary work on the culture of technology.

This text presents a theory of what dress means in relation to the body. Identity relies on boundaries to individuate the self. Dress challenges boundaries: it frames the body and serves both to distinguish and connect self and "Other". It argues that clothing is both a boundary and not a boundary.

Since its debut manga RG Veda, CLAMP has steadily asserted itself as one of the most widely renowned teams of manga artists, leaving a durable imprint in every established genre while also devising novel formulas along the way. Endowed not only with stylistic distinctiveness but also comprehensive cultural structure, CLAMP's output is distinguished by unique worldbuilding ¿air and visual vitality. Exploring a selection of CLAMP manga as well as anime it inspired, this volume examines CLAMP's broader philosophical underpinnings, its dedication to the invention of elaborate narrative constructs, its legendary passion for multilayered universes, and its symbolic interpretation of human identity. Throughout, the work highlights the team's incremental creation of a graphic constellation of unparalleled appeal.

Documenting Studio Gainax's achievements, this book provides a critical overview of both the company and its prolific catalog of films. It details Gainax's rise to success, outlining the most salient aspects of the company's professional development and assessing the studio's distinctive aesthetic vision.

A critical study of Miyazaki's work, this book begins with an analysis of the visual conventions of manga, Japanese comic books, anime, an overview of Japanese animated films, and a consideration of the techniques deployed by both traditional cell and computer animation and details his foray into comic books and animation.

Drawing from categories as varied as romance, comedy, slice of life drama, science fiction, bildungsroman, and school drama, this examines anime's representation of characters pursuing diverse artistic activities and related aesthetic visions, focusing closely on the concepts of creativity, talent, expressivity and experimentation. Additionally, it engages with anime's own artistry, proposing that those characters' endeavours provide metaphors for the aims and objectives pursued by anime itself as an evolving art form.

This study addresses the relationship between Japanese aesthetics, a field steeped in philosophy and traditional knowledge, and anime, a prominent part of contemporary popular culture. There are three premises: (1) the abstract concepts promoted by Japanese aesthetics find concrete expression at the most disparate levels of everyday life; (2) the abstract and the concrete coalesce in the visual domain, attesting to the visual nature of Japanese culture at large; and (3) anime can help us appreciate many aspects of Japan’s aesthetic legacy, in terms of both its theoretical propositions and its visual, even tangible, aspects.

Offers an introduction to the key concepts and themes in French feminist thought, both the materialist and the linguistic/psychoanalytic traditions. This book outlines the philosophical and political diversity of French feminism, and traces the connections between French and Anglo-American feminist approaches and methodologies.

This text brings together the key concepts, issues and debates in critical and cultural theory today.