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"Albright contends that Tennyson's "aesthetic goals were... in conflict" and that his poetry attempts to "unite two incompatible poetics',' one governed by a heavenly muse, the other by an earthly muse suspicious of the idealizations and abstractions held dear by the first. The result is a poetry of "myopia and astigmatism".
From its dissonant musics to its surrealist spectacles, Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, rather than collaboration.
This work offers not only important statements by composers and critics, but also musical speculations by poets, novelists, philosophers, and others - all of which combine with Daniel Albright's commentary to place modernist music in the context of a broader intellectual history.
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